Writing at the intersection of art, culture, technology, and the environment.
SELECT PUBLICATIONS
Weird, Risky, Rigorous: Why I Love Portland Art, Discovery Magazine, September 26, 2023
Moments of Repair: Pace Taylor Interviewed, BOMB Magazine, January 2, 2023
Love, Power, and Visibility: Christine Miller Interviewed, BOMB Magazine, June 6, 2022
Studio Visit: Jessica Jackson Hutchins, BOMB Magazine, May 26, 2022
What is Normal?—Visual Art Year-End List, BOMB Magazine, December 20, 2021
Studio Visit: MK Guth, BOMB Magazine, December 8, 2021
Critics’ Pick: Jovencio de la Paz at Holding Contemporary, Artforum, May 14, 2021
Studio Visit: Amy Bay, BOMB Magazine, April 2, 2021
Critics’ Pick: Vo Vo at Fuller Rosen Gallery, Artforum, March 12, 2021
Seeds, Sharing, Manifestos, The Brooklyn Rail, March Issue, 2021
Studio Visit: Bean Gilsdorf, BOMB Magazine, December 16, 2020
Trying to Photograph Perfume: Rose Dickson’s Giantess, New Archives, November 12, 2020
The Deliberate Rejection of Reality: Cara Levine Interviewed, BOMB Magazine, August 21, 2020
Rachel Devorah: exhibition text for A Language for Intimacy, curated by Amanda Contrada and Terance Trouillot, June 26–August 30, 2020
Book Review: The Conservation Revolution: Radical Ideas for Saving Nature Beyond the Anthropocene by Bram Büscher and Robert Fletcher, BOMB Magazine Issue 152, Summer 2020
Foreword for Riddle by Fiona Véronique, Antics Publications, June 2020
Christine Miller and Brittany Vega: American Hex, BOMB Magazine, March 11, 2020
Agency and Transcendence: Naudline Pierre Interviewed, BOMB Magazine, October 21, 2019
Airy and Affective Sculptures, Weighed Down by Contradictions, Hyperallergic, October 10, 2019
Proposal for Living and Dying Well on a Warming Planet, Affidavit, December 17, 2018
Putting Interiors on Exteriors: Chip Thomas Interviewed, BOMB Magazine, July 19, 2018
Privacy and Visibility: Heather Dewey-Hagborg Interviewed, BOMB Magazine, July 5, 2018
Critics’ Pick: Summer Wheat, Artforum, June 1, 2018
The Myth of Brazil’s Racial Democracy, Aperture, April 18, 2018
Digital Interface: Addie Wagenknecht’s Alone Together, BOMB Magazine, February 2, 2018
Trigger: Gender as a Tool and as a Weapon, Elephant Magazine, October 5, 2017
Privileged Vision and the Violence of Watching Death, Degree Critical, June 29, 2017
Eden, and The Art of Killing Kudzu, Degree Critical, December 20, 2016
Critical Catastrophes, The Brooklyn Rail, December 6, 2016
The Archipelago of Desire, Aperture, October 6, 2016
Viral Images Ignite Calls for Social Change, Aperture, September 13, 2016
Claustrophobic Photos Go Inside Manila’s Traffic Nightmare, WIRED, June 23, 2016
Threefold at Los Sures, The Forgetory, July 1, 2016
Mal Devisa’s Poignance and Will to Thrive, Impose, April 5, 2016
Cut-Up at Franklin Street Works, Daily Serving, March 9, 2016
The Artist as Critic, the Artist as Catalyst, Degree Critical, February 26, 2016
Blue Suicide, Blunderbuss Magazine, February 11, 2016
Turning the Digital into the Material, with Feng Shui, Hyperallergic, February 2, 2016
Sonic Intoxication: Alvin Lucier’s “I am sitting in a room,” Degree Critical, January 29, 2016
Something Untranslatable: A Digital Homage to Smithson’s “Monuments,” Artcritical, November 17, 2015
Drawing Sound Part II: Alvin Lucier at the Drawing Center, Daily Serving, September 24, 2015
An Old American Problem, Art Practical, September 15, 2015
Interview with David Levi Strauss, Daily Serving, September 10, 2015
Marte Eknæs and Sean Raspet: Calculus of Negligence at Room East, Daily Serving, June 17, 2015
William Larson: Fireflies at Gitterman Gallery, Daily Serving, May 21, 2015
Street View / Road to Mecha by Jonathan Zawada, and Drone directed by Tonje Hessen Schei, Daily Serving, April 9, 2015
Candy Says: Remembering Two Artists and One Image, Artcritical, November 24, 2014
Amelia Rina 